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Education and the Common

10 Jun

Ours is an age of “savage servility” to borrow a phrase from the American poet Robert Lowell. While it may well be the case that we are living through the endgame of neo-liberalism, it would be a mistake to underestimate the attenuated temporality of the crisis. Nor should we dismiss the severity of the current counter-revolution and the revanchiste zeal with which it is being carried out. One of the most egregious features of our present situation is the baleful recasting of the crisis as a simple crisis of public spending. This ‘true’ crisis simply demands, so it would seem, the further enclosure of the commons as determinate shared spaces. But it also hinges on the closing off of all that is deemed common, a process that involves not only the wholesale dismantling of collective ways of being but the disavowal and shortcircuiting of an affective sphere committed to the cultivation of care, compassion, and solidarity. In its place, we are left in a general state of obstructed agency (see Sianne Ngai’s fantastic Ugly Feelings) and have become increasingly tethered to a form of sociality shaped by a congerie of negative affects (fear, paranoia, anxiety, envy).  As Lauren Berlant has persuasively written, it is the supine affective charge of aspirational normativity with its  increasingly “recessive” and “underperformative” modes of being that have come to characterize our current age of austerity.

I hope to have more to say about the assembling and composition of alternative subjectivites in a future post. What I want to pick up for the moment is the link between what Berlant describes as a crisis of “ongoingness” – of trying to ‘make do’ amidst “exploding social divisions and ruptures” –  and a broader crisis of the common. One exemplary site of this crisis here in the UK is Higher Education. A.C. Grayling’s recently proposed New College of the Humanities is noteworthy in this respect and should be seen as nothing less than a direct attack on the very idea that education still represents a common good. The evidential particulars of the college have already been extensively documented (here, here, and here). See also the information collected by Nina Power here and the Critical Education site which has some very useful information about the college. Many of you will be familiar with Terry Eagleton’s splenetic riposte in the Guardian. It has already received considerable attention including a risible reply by Sarah Churchwell which bears all the quietist hallmarks of liberal passivity (and extended version of Churchwell’s CIF piece can be found here) and a pernicious and willfully misguided piece by Deborah Orr . A number of other useful posts worth checking out include Crooked Timber, the LRB Blog, Lenin’s Tomb, and James Ladyman in the New Statesmen. As both Lenin’s Tomb and Ladyman rightly point out, this venture parasitically plays on the fears that have been generated (some would say deliberately) by the current funding crisis in HE and it does so as a means to accelerate privatization and marketization. This is not a humanistic venture but a strictly pecuniary one that legitimises the social reproduction of ‘elites’ and the further destruction of the idea of the university as a space of the common. Indeed, Grayling’s comments in The Evening Standard should make it abundantly clear how he really feels about education and equality of opportunity (see in particular his comments about private schools). Of course, saying all of this should not distract us from the lamentable lack of state investment in the humanities nor should we wax nostalgic about the increasingly parlous state of the public university. Grayling’s enterprise cannot be disentangled from this pressing predicament and, if anything, it only magnifies the urgency of reconstituting education as both a common good and a shared and open critical space.

Toscano on Fanaticism

7 Aug

Thanks to Stuart at Progressive Geographies for posting a number of links to recent talks by Alberto Toscano to the theme of his new book, Fanatacism. There is much to digest here on the nature of political passion and the mobilization of ‘fanaticism’ as a term of opprobrium leveled at a wide range of emancipatory projects. Whether the historical arc of such an argument can be sustained merits, of course, careful consideration (as does the parsing of its determinate performativities) and I hope to post at some point on the relationship between the figure of the ‘militant’ and the nature of protest cultures in West Germany in the 1970s and early 1980s.

The links include:

1. Radio 4 talk that includes a riposte by John Gray

2. Video clip at the Guardian

J’Accuse Revisited: Collective Purpose and Political Passion

6 Jun

A thought-provoking piece by Jacqueline Rose in the latest issue of the London Review of Books on the Dreyfus Affair and Zola’s “J’Accuse”. Much has been written about the ‘capture’ of political affect across a revanchiste Right. This has been accompanied in recent years by a systematic attack on an emancipatory Left and especially its capacity to generate a collective politics of conviction and passion, dissent and subversion (see Alberto Toscano’s new book on this point) . While the repudiation of a passionate politics has undoubtedly found allies on the Left, Rose’s essay raises important questions about the need for emancipatory projects to reconnect and compose new forms and practices of collective affect.

A webcast of Rose’s lecture can be accessed here.

What do I do with these ugly feelings? (Post 1)

8 Jul

A sudden thunderstorm forced me to find refuge in Entweder Oder (“Either/Or”) on Oderbergerstrasse in Prenzl Berg, one of my favourite places for a coffee and a quiet spot of reading in the afternoon (Kierkegaard jokes notwithstanding). Actually, I hope to find a moment at some point to post on Kierkegaard as his fantastic essay/thought-experiment entitled “Repetition” has a direct Berlin connection. More on that another time…Sadly, it doesn’t look like Entweder Oder has a wi-fi connection so I will have to post this later today!

I’m currently making my way through Sianne Ngai’s remarkable book, Ugly Feelings which is undoubtedly one of the most impressive attempts to think about the relationship between the cultivation of certain affective states and the obstruction of political ‘labour’. As the author herself states in the book’s opening paragraph: “this book presents a series of studies in the aesthetic of negative emotions, examining their politically ambiguous work in a range of cultural artifacts produced in what T.W. Adorno calls the fully ‘administered world’ of late modernity” (2005: 1). Ugly Feelings eschews the kind of celebratory (and acquiescent) vitalism which courses through a wide range of contemporary affect theory. It seeks to remain alert to particular states of feeling such as envy, irritation, and paranoia and the ways in which they are themselves symptomatic of a “general state of obstructed agency” (3) that is characteristic of our own thoroughly commodified society.

Ngai charts these affective gaps and elisions through close readings of literature, film, and broader cultural theory (from Melville to Freud, Hitchcock to Ellison, Stein to Beckett). I can’t think of a recent book which evinces such a command of theory while remaining refreshingly attentive to both text and image. While Ngai is right to acknowledge how such “dysphoric affects” remain the “psychic fuel on which capitalist society runs,” she strives to recuperate their “critical productivity” as modest forms of resistance (3) . One may even plausibly describe the book as setting out a negative dialectics of ‘affect’ with a view to rethinking the connection (dare I say complicity) between the artful mobilization of certain affects and the ‘untruth’ (or semblance character) of the Culture Industry. In Ngai’s book, ‘affect’ is often a crucial predicate to the simulated nonfeltness of feeling that is the fuel and ontological ‘bedrock’ of capitalist exchange (76). I’m still working my way through the book, so I hope to post on it again – I was thinking possibly of something on Gertrude Stein’s notion of ‘open feeling’ and various theories of repetition.

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